30-Day Return Policy. The normal channel on the 59 Bassman sounds very similar to the Twin Reverb/Showman when playing clean, but at high volume the Bassman sounds more compressed and breaks into overdrive. Closed-back cabinets sound more focused and project the sound in one direction. There are many versions of the classic Fender Bassman amp combo, but the model that David is most known for using is the reissue from 1990 called the 59 Bassman. Pigtails, shims and instructions are included. Fane A60 8 ohm or 16 ohm Ascension Guitar amp Alnico speaker $265 Brand New Fane Ascension F30 8 or 16 ohm $165 Brand New Fane Ascension F25 8 or 16 ohm $125 Brand New Orange Silver Series Voice of the World 12" Speaker Pair $299 $99 price drop $200 Used - Mint Celestion Cream Alnico 12" guitar speaker 8 ohm $279.99 Brand New Free Shipping Voice Coil: 2.022 inside diameter, 1.375 form length, .500 windings width, 8 ohms. After '69 the silverface amps became slightly more bassy, with slightly less head room (less clean) when you turn them up, but still good amps for Gilmour. WEMs were very distinctive looking and had a grille cloth pattern unlike any other speaker cabinet maker. Yes and no Out of curiosity I did some digging and came up with this: . Couldn't blame Fane for wanting to get a piece of the nostalgia-fuelled money which leaves many guitarist's hands (including mine!). The Tonker Lite reminded me more of the Vintage Purple Fane sound. Type A speakers were typically listed in speaker catalogs as "Crescendo 12A" and the spoke labels on the speakers identified them as type "12 A". The 300w Fane Crescendo 12MB was another HiFi studio/PA speaker. It is unknown what David's used. East Whittier, California Call Now. A bold new entrant in the arena of high performance Alnico guitar speakers for modern rock and metal sounds. Your purchases also help protect forests, including trees traditionally used to make instruments. They sound harsh for the first few weeks when new, as is the case with most new speakers. Below are clips of my 59 Basman LTD with blue frame alnico speakers. World-renowned brands of the time such as Carlsbro, Hiwatt, Laney, Orange, Sound City and Vox were just a few of those FANE customers. It looks like that piece of gear is gone. Visually the speaker looks very similar to the original Fane Crescendo, but the spoke holes in the cast metal frame are not as wide, the underside of the magnet has a beleveled edge rather than a corner like the original, and the hammerite finish pattern is smaller and smoother looking. The sound is very detailed and cuts straight through in a band mix. Fanes were in HIwatts and Greenies in every damn good sounding Marshall. They may sound similar to some model of Fane speaker, but nothing like the Crescendo to my ears. For comparison purposes, below are sound clips of a real Fane Crescendo 12A through a Hiwatt (Reeves Custom 50). As FANE continued to further develop speaker technologies for high-power professional audio sound reinforcement, the FANE product range and OEM capability significantly expanded to cover a catalogue range of fifty products. Plywood or solid wood cabs are going to be sturdier and last longer than particle board if they get hauled around a lot. Many people replaced these (including Gilmour) with a real 5AR4/CV1377 rectifier tube. I have also seen several counterfeit Crescendos. Get in touch with our Exclusive North American distributor. In some ways the 75 sound is the opposite of the Fane Crescendo, which is why they balance so well with them. The real breakthrough for the industry, and from FANE specifically, came with Arthur Falkus development, presentation and use of the glass fibre voice coil. Fane has a strong heritage and history in sound engineering excellence. There was a 200w and 400w bass woofer version with a 4" voice coil called a Crescendo Colossus. It is not clear if David has always used type A Crescendos with silver dust caps, but they can be seen in several of his WEM cab photos from 1973 and 1974, so he has probably always used this speaker. (Great Scott Marty!). JavaScript is disabled. Sometimes the Celestions were loaded in Marshall JCM-800 4x12"speaker cabinets, like in 1994 and 2001-2005, and sometimes in his WEM cabinets, like in 2006 and 2015. Most were 50w or 70w Fanes with completely different specs. "His stage speaker system consists of two WEM 4x12's with Fane Crescendo speakers, two Marshall 4x12's and three custom-made rotating speaker cabinets we call "doppolas." Subwoofers and speakers Fane. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born. The old Marshall JTM45 is also nearly an exact copy of the Bassman circuit, but substitues a 12AY7 preamp tube with a 12AX7 tube for more gain, which makes it a bit too dirty for most Gilmour tones. Those look great. The all new "Starfinder" DG12A cast aluminium basket 100w 12 inch guitar speaker featuring extra high power anisotropic ferrite magnet, 2 inch voice coil and 20,000 gauss is painstakingly reproduced to the same specification as its predecessor, the "CRESCENDO"12A that was instrumental in producing that unique early Floyd sound. The later 59 Bassman LTDs from 2000 onward changed to Jensen P10R speakers with kapton voice coils, which sounded similar, and could handle high volume much better. Fane produced a massive number of speaker models with many different options, so there is not one "Fane" sound, and the Crescendos sounded very different to other Fanes. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. Choice History. The Showman was basically the head version of the Fender Twin Reverb, for use with and external speaker cabinet. Like the Hi-Tone DR-F speakers, these are also based on one of the many Fane purple-backed speakers that were included in 1970s Hiwatt cabs. Many of these were PA speakers and none are the type Gilmour used. Note the aluminum dust caps indicate these are Crescendo 12 'A' type speakers. Last update February 2022. I use a set from 1995 and the mid-scooped tone is almost the opposite of the Crescendo, but paired with a Hiwatt it has a very Gilmour-like sound. Keep in mind that buying an old Twin Reverb may cost less than a brand new one, or cost about the same as a used '65 reissue, but the capacitors in those older amps can be 30-40+ years old. At the outset of the new ownership, key FANE staff who were employed during the 1970s and 1980s were recruited to give the team strength in expertise, commitment to continuous improvement and authenticity to the core FANE character. BLENDING CRESCENDOS WITH CELESTIONS - David nearly always runs at least two amplifiers at once in his live rigs, each going to its own speaker cabinet with its own type of speakers. I'm thinking that the people using the Fane name nowadays have little relationship to the old company. Chris is a music gear collector with a large collection of vintage WEM audio equipment, including one of Pink Floyd's early mixing boards bult by WEM. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard Two common types of 12" Crescendos were made in the 1970s - type 'A' all-purpose speakers, with aluminum dust caps, and type 'B' and 'L', with plastic treated linen surrounds, which were sold in pairs and intended for bass guitar and organs. 100 watts is fine for live use in medium to large venues, but overkill for small venues or home use. Similar tone family, but more of a distant relative, and more balanced for a wider variety of music. The Ascension F30 is a 30 watt, ceramic magnet, guitar speaker. Those Celestion 75s were either Rola Celestion G12/75, introduced in the 1970s, or the later G12T-75 version made in England in the 1980s - 1990s. The flux density and flux capacitor plus going 60 miles per hour makes time travel possible. The stock amp sounds excellent, but you can switch the Jensens for Weber 12F150's or Weber Californias if you want something closer to the sound of the old JBL speakers used in the original blackface and silverface Twins. Not so much a brand purchase under new owners, it represented a coming home for the management team after a period interrupted in 1989. TYPES OF SPEAKERS - Speakers are just as important as the type of amplifier used, as they are the final voice the signal comes through. 27 subscribers In this video we compare the classic FANE Crescendo A with two of the best options in the market right now. The frames were made of heavy 5ply plywood, not particle board like other 4x12 cabs of the era. The unique grille cloth was actually made in two layers - a thin front layer that was practically see through, stapled over a black mesh back layer. These are typically 50w or 70w Fane speakers with completely different specs and sound than the Crescendo. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Gilmour's 59 Bassman reissues and Hiwatt SA212 stereo rig used for the 1993 Pink Floyd recording sessions (left) and later in 1999 and 2004 (right). Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. Established in England, 1958. Items must be returned in original, as-shipped condition with all original packaging.Learn More. Speaker Recone Kits EV Electro Voice 15 EVM15L DIY Recone Kit 8 Ohm F.01U.110.882. 15740 Citrustree Rd. (top row) 1980s Crescendo 12 'E' and 15 'E' PA speakers and cones Your purchases help youth music programs get the gear they need to make music. New landmarks, such as the first commercially available 24-inch loudspeaker and 4-inch voice coils, enabled FANE to strengthen during this period under the leadership of Arthur Barnes. Please check the fields highlighted in red. Fane Crescendo 100 watt '70s -Type A-Speakers (pair) Michael Landau Owned and Played. Arthur Barnes (Centre) with David Biggs and Dennis Newbold. (A Fender PRII), Some of the add-ons on this site are powered by. One is the Hi-Tone Eclipse 4x12 speaker cabinet. Early model Crescendos had cast metal frames with plain spokes, and later "FANE MADE IN ENGLAND" was cast into one spoke. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born. If you just want one speaker that blends both the bright mid range Crescendo tone and the darker, mid-scooped Celestion tone through a Hiwatt, try the Weber British Series ceramic FC12F speakers. You must log in or register to reply here. - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet), Kits Secret Guitar, Gear, and Music Page. The 65 reissue is basically the blackface/early silverface Twin Reverb circuit architecture with two 12" Jensen C12 speakers. Rawson Sparfield sells a 100w Fane Crescendo 12A replica that is a very accurate recreation of the original, using a similar cast metal frame, the same magnet and voice coil specifications, and aluminum dust cap just like the original. Two common types of 12" Crescendos were made in the 1970s - type 'A' general purpose speakers, with aluminum dust caps, and type 'B' or 'B/L' for bass and organs, with plastic treated linen dust caps. Speaker Recone Kits EV Electro Voice 15 DL15ST DIY Recone Kit F.01U.110.734. This accented more of the upper mid range, adding a unique, jangly top end to the Crescendo sound. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers Fane label that was also used on some speakers with the exact same specs as the Crescendo 12 A. Shown above - Fane Crescendo speaker catalog pages and ad listings from the early 1970s. Shown above - Original WEM speaker cabinet badge and cloth pattern. In 1966 a young man by the name of Arthur Barnes joined Fane Acoustics as the press-shop manager. The type I have (with purple label, shown above) were based on the Fane 122293 model. IMHO these are some of the best, if not the best, Ceramic/British Voiced speakers available today. What does matter is that the cab impedance matches the impedance of your speakers and your amplifier. They brought out much more detail in the top end, but some found the sound too harsh. Learn More. 2016 Fane International Limited. It was during this period of growth and development that iconic loudspeaker ranges such as the Classic Series and Crescendo first appeared. However, the stock C12s in the TRRI sound really good (at least when I bought mine around 2006 they did) once they were completely broken in. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. for putting this video together. There are also custom speaker cabinet builders who can build a similar cab (no WEM logo or grille cloth though), like Jeff Swanson of swansoncabinets.com. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Hi-Tone DR-F speaker with a Green Russian Big Muff - In Any Tongue solo, Hi-Tone DR-F speaker with a BKB 911 Tube Driver - Louder than Words solo, Reeves original 75w Vintage Purple speaker made by Eminence, based on Fane purple backed speakers from the 1970s, Reeves later 75w Vintage Purple speakers made by WGS, also based on Fane Vintage Purple speakers. Oops, looks like you forgot something. 1963-67 blackface Twins and early silverface ('67-69) Twins are the same circuit as far as the sound produced, and most ideal for Gilmour tones. David also used the Twin Reverb/Showman preamp in his rigs, in the form of the Alembic F2-B. The easisest way to tell an original 59 Bassman reissue from the later LTD is the fake "ground" switch on the original. As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? These are are sometimes Fane-made Sound City and Hiwatt speakers that use the exact same frame as the Crescendo with fake Crescendo and ID labels applied to them. Around 1995 the reissue was re-named '59 Bassman LTD (supposedly for laquered tweed) and several changes were made. The launch of Colossus PRIME 18XS saw the arrival of another legendary FANE high power 18-inch drive unit to stand alongside the mighty Colossus 18XB. For a better experience, please enable JavaScript in your browser before proceeding. Brand New Fane Crescendo 12A 12 Aftermarket Recone Kit. Shown above - Rola Celestion G12-100 from 1982. The Starfinder 200 cabinet size was 30" x 30" x 14 1/2". Also note the notches around the mounting screw holes that cut through the frame spokes. The 12 A was the type often used by Gilmour. The FC in the name stands for Fane Crescendo, and they include the silver dust cap like the original Crescendo, but they really do not sound like a Crescendo. The FANE catalogue of components was carefully reviewed and analysed. All rights Reserved. Yes, good drivers. If you want the Delicate Sound of Thunder / Pulse era sound through a Hiwatt, pair the Crescendo A with a Celestion G12T-75 speaker in your cabinet. Its articulate high end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character. Last update February 2022, - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. In 2007 FANE was relocated from its then manufacturing plant in Leeds to its current home at our headquarters in Castleford, West Yorkshire, England. Also note the words "FANE MADE IN ENGLAND" cast into the spokes of early Crescendo frames. Hiwatt, Jennings, Sound City, WEM, VOX and Laney were just some of the well known brands that equipped their cabs with Fane and with them the signature to iconic British tone. Distinctive looking and had a grille cloth pattern unlike any other speaker cabinet maker and legendary! Called a Crescendo Colossus maintaining the legendary Crescendo MI range was born my! Crescendo to my ears Limited, Batley, West Yorkshire, ENGLAND, was officially as... Components was carefully reviewed and analysed why they balance so well with them including trees traditionally to... 8 Ohm fane crescendo speakers Starfinder 200 cabinet size was 30 '' x 14 ''... There one closest to the Vintage Purple Fane sound 100 watt '70s -Type (... Studio/Pa speaker with two of the upper mid range, adding a unique, jangly top end but. 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